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MIX 56 CHESHIRE'S BEST MUSIC MIX

Phil
PHIL ROBERTS
THE MORNING SHOW
That was the immediate reaction from Cheshire’s MIX56 Breakfast presenters Smithy and Ian after seeing Jersey Boys at Manchester’s Palace Theatre.
And it’s difficult to disagree. This 20th-anniversary production delivers the familiar songs, the sharp choreography and the unmistakable Frankie Valli falsetto, while also telling the more complicated story behind the music.
If you’re anything like me, the first 15 minutes can feel like a lot to get your head around. You might know some of the story, or recognise a few song titles, but the documentary-style structure — with each of the Four Seasons narrating their own version of events — takes a moment to settle.
Once that initial section is out of the way, though, the show takes on a pace of its own. The narrative tightens, the stakes rise, and the songs start punching above their weight. By the time the second act kicks in, the audience is fully invested in these characters and their choices, not just waiting for the next hit.
Let’s be clear: I much prefer a production that doesn’t just lean on its back catalogue. There’s far too much of that in musical theatre.
Jersey Boys goes deeper. It takes you into the underworld that shaped the group’s early career, the loyalty and betrayal between friends, and the personal cost of ambition.
You see Tommy DeVito’s links to organised crime and gambling debts, the tensions over money and credit, and the personal tragedies that shadow Frankie Valli’s rise. It’s a feel-good show in many ways, but it’s also surprisingly dark and thought-provoking.
That balance is exactly what makes it work.
The music is undeniably iconic — Sherry, Big Girls Don’t Cry, Walk Like a Man, Rag Doll, December, 1963 (Oh, What a Night) and Can’t Take My Eyes Off You — but here those songs are anchored in a real, sometimes painful story.

On the night I attended, the performance was outstanding. The musicians on stage added real energy to the mix, and the vocals were consistently strong across the ensemble.
As Frankie Valli, Luke Baker was simply wow.
His falsetto had that instantly recognisable quality, and he carried the emotional weight of Valli’s journey with real conviction. It’s a demanding role vocally and dramatically, and Baker made it look effortless.
The woman sitting next to me was singing quietly to herself throughout, clearly loving the memories the songs brought back. But she also commented that the production hadn’t ignored the darker side of the story — the debts, betrayals and personal struggles — and that it all seemed to play well. That felt like a good sign: a show that satisfies both the nostalgia seekers and the story hunters.
The theatre was packed, with a real mix of ages in the audience. You had older fans reliving their youth, middle-aged theatre-goers who grew up with the music, and younger audience members who know the songs from films, adverts and family singalongs.
It just shows how stories — and songs — travel. The music may have started on street corners in New Jersey, but it clearly still resonates in a packed Palace Theatre in Manchester, decades later.
As I left the theatre and tried to squeeze past someone in the aisle, a lady smiled and said, “Walk like a man…”
I tried to butch up, Frankie-style. It didn’t quite work, but it summed up the mood perfectly: people walking out humming, quoting lyrics, and still riding the energy of the show.
Before seeing the production, I’d heard Michael Levi, who plays Bob Crewe, speaking to Ian James on MIX56’s Good Morning Cheshire.
Levi described Crewe as the fifth Season — not an official member of the group, but a hugely important figure in shaping their sound alongside Bob Gaudio.
That conversation adds an interesting layer to the experience. Jersey Boys may be packed with instantly recognisable hits, but behind those songs is a story of creative partnerships, ambition, debts, betrayals and friendships under pressure.
As Levi explained, the show manages to combine comedy and feel-good musical moments with a surprisingly deep and sometimes darker account of The Four Seasons’ rise to fame.
Levi also spoke warmly about growing up with the group’s music playing in his grandparents’ car.
Watching him step into the role of the man who helped create those songs therefore feels like more than just another supporting performance — it is part of the show’s wider story about music passing from one generation to the next.
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Michael Levi chats to Ian on MIX56 Phil Roberts
Jersey Boys at the Palace Theatre is a right rollercoaster of a show: part celebration, part cautionary tale, all heart.
If you’re looking for a night of big songs, strong performances and a story that makes you think as well as sing along, this 20th-anniversary tour is well worth catching while it’s in Manchester.
Just be prepared to walk like a man on the way out — even if, like me, you don’t quite pull it off!
This morning, Phil invited Ian in for a conversation about the Jersey Boys and a discussion on the lasting legacy of Frankie Valli and the Four Seasons. You can listen again right here.
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Jersey Boys: A Right Rollercoaster of a Show Phil Roberts
Written by: Phil Roberts
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