Review

Jersey Boys: A Right Rollercoaster of a Show

todayWed 9 Sep 26

Background
share close

Jersey Boys, Palace Theatre Manchester: a right rollercoaster of a show

jersey boys palace theatre manchester review by phil roberts MIX56
Jersey Boys plays The Palace Theatre Manchester until Saturday 19th September

Phil Roberts on MIX56Phil

PHIL ROBERTS
THE MORNING SHOW

Oh, what a night!

That was the immediate reaction from Cheshire’s MIX56 Breakfast presenters Smithy and Ian after seeing Jersey Boys at Manchester’s Palace Theatre.

And it’s difficult to disagree. This 20th-anniversary production delivers the familiar songs, the sharp choreography and the unmistakable Frankie Valli falsetto, while also telling the more complicated story behind the music.

A slow-burn start, then full throttle

If you’re anything like me, the first 15 minutes can feel like a lot to get your head around. You might know some of the story, or recognise a few song titles, but the documentary-style structure — with each of the Four Seasons narrating their own version of events — takes a moment to settle.

Once that initial section is out of the way, though, the show takes on a pace of its own. The narrative tightens, the stakes rise, and the songs start punching above their weight. By the time the second act kicks in, the audience is fully invested in these characters and their choices, not just waiting for the next hit.

More than a jukebox musical

Let’s be clear: I much prefer a production that doesn’t just lean on its back catalogue. There’s far too much of that in musical theatre.

Jersey Boys goes deeper. It takes you into the underworld that shaped the group’s early career, the loyalty and betrayal between friends, and the personal cost of ambition.

You see Tommy DeVito’s links to organised crime and gambling debts, the tensions over money and credit, and the personal tragedies that shadow Frankie Valli’s rise. It’s a feel-good show in many ways, but it’s also surprisingly dark and thought-provoking.

That balance is exactly what makes it work.

The music is undeniably iconic — Sherry, Big Girls Don’t Cry, Walk Like a Man, Rag Doll, December, 1963 (Oh, What a Night) and Can’t Take My Eyes Off You — but here those songs are anchored in a real, sometimes painful story.

Sydnie Hocknell and Luke Baker Jersey Boys Manchester review MIX56
Sydnie Hocknell as Mary Delgado (Frankie Valli’s first wife) and Luke Baker as Frankie Valli

Outstanding performances and live musicianship

On the night I attended, the performance was outstanding. The musicians on stage added real energy to the mix, and the vocals were consistently strong across the ensemble.

As Frankie Valli, Luke Baker was simply wow.

His falsetto had that instantly recognisable quality, and he carried the emotional weight of Valli’s journey with real conviction. It’s a demanding role vocally and dramatically, and Baker made it look effortless.

The woman sitting next to me was singing quietly to herself throughout, clearly loving the memories the songs brought back. But she also commented that the production hadn’t ignored the darker side of the story — the debts, betrayals and personal struggles — and that it all seemed to play well. That felt like a good sign: a show that satisfies both the nostalgia seekers and the story hunters.

A packed house, across generations

The theatre was packed, with a real mix of ages in the audience. You had older fans reliving their youth, middle-aged theatre-goers who grew up with the music, and younger audience members who know the songs from films, adverts and family singalongs.

It just shows how stories — and songs — travel. The music may have started on street corners in New Jersey, but it clearly still resonates in a packed Palace Theatre in Manchester, decades later.

“Walk like a man…”

As I left the theatre and tried to squeeze past someone in the aisle, a lady smiled and said, “Walk like a man…”

I tried to butch up, Frankie-style. It didn’t quite work, but it summed up the mood perfectly: people walking out humming, quoting lyrics, and still riding the energy of the show.

Before the show: talking to Bob Crewe

Before seeing the production, I’d heard Michael Levi, who plays Bob Crewe, speaking to Ian James on MIX56’s Good Morning Cheshire.

Levi described Crewe as the fifth Season — not an official member of the group, but a hugely important figure in shaping their sound alongside Bob Gaudio.

That conversation adds an interesting layer to the experience. Jersey Boys may be packed with instantly recognisable hits, but behind those songs is a story of creative partnerships, ambition, debts, betrayals and friendships under pressure.

As Levi explained, the show manages to combine comedy and feel-good musical moments with a surprisingly deep and sometimes darker account of The Four Seasons’ rise to fame.

Levi also spoke warmly about growing up with the group’s music playing in his grandparents’ car.

Watching him step into the role of the man who helped create those songs therefore feels like more than just another supporting performance — it is part of the show’s wider story about music passing from one generation to the next.

  • cover play_arrow

    Michael Levi chats to Ian on MIX56 Phil Roberts

The verdict

Jersey Boys at the Palace Theatre is a right rollercoaster of a show: part celebration, part cautionary tale, all heart.

If you’re looking for a night of big songs, strong performances and a story that makes you think as well as sing along, this 20th-anniversary tour is well worth catching while it’s in Manchester.

Just be prepared to walk like a man on the way out — even if, like me, you don’t quite pull it off!

Phil in the Morning Show

This morning, Phil invited Ian in for a conversation about the Jersey Boys and a discussion on the lasting legacy of Frankie Valli and the Four Seasons. You can listen again right here.

  • cover play_arrow

    Jersey Boys: A Right Rollercoaster of a Show Phil Roberts

  • Jersey Boys plays The Palace Theatre Manchester until Saturday 19th September
  • Tickets:  ATG Tickets

Written by: Phil Roberts